![]() La saga creada por Rowling se basa en determinados pilares, como lo son: la aceptación del Otro y de sus diferencias (por supuesto, siempre que ese Otro esté en el lado del Bien…) la no discriminación por origen étnico, creencias o ascendencia genética la lucha contra los dogmatismos y las instituciones anquilosadas (el Ministerio de Magia, por ejemplo) el sacrificio por el prójimo para lograr un Bien mayor, en el que siempre el amor es motor por sobre el odio y por supuesto, la amistad y los lazos sanguíneos, que representan un refugio ante tiempos adversos. Rowling y Thorne, "Harry Potter and the Cursed Child" (2016). It will be shown and concluded that the purpose of her reworking of Malory’s story is grounded in the following: Rowling disagrees with Malory regarding what caused the collapse of the Fellowship of the Round Table.Įl objetivo del presente trabajo es analizar de qué forma se configura el mundo mágico en la nueva entrega de J.K. Moreover, this dissertation will elucidate how Rowling reshapes the depiction of King Arthur and his Knights. While such a suggestion has never been put forward, this discussion will illuminate that Rowling, indeed, follows her predecessor. It is the purpose of this dissertation to investigate in what ways and to what extent 'Harry Potter' is a descendant of Sir Thomas Malory's 'Le Morte Darthur'. While scholars acknowledge the medieval elements and motifs of 'Harry Potter', they do not continue the discussion, believing that 'Harry Potter' merely borrows various elements from the medievalist tradition. Rowling’s 'Harry Potter' series has been overlooked and excluded from the list of Arthurian works. A number of post-medieval authors have engaged with the legend. The story of King Arthur and his Knights of the Round Table has been shapeshifting through the centuries since the early Middle Ages. ![]()
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